The Trespasser — Tana French
I don’t remember where I first learned about French, but “Women Are Writing the Best Crime Novels" inspired me to read The Trespasser. The novel is not bad and if you like the genre you might dig it—it’s not offensively written—but halfway through one feels like nothing much has happened, the dead girl, Aislinn, remains a cipher, and maybe a bunch of stuff will add up to something but maybe it won’t. Comparisons to Gone Girl are not quite apt because in that novel something changes virtually every chapter, and around halfway through the big reveal occurs.
In The Trespasser things meander to no particular end. From a marketing perspective the endless comparisons to Gone Girl makes sense, but from a narrative perspective they rarely do. Gone Girl does seem to break the narrative pattern in a way that’s difficult to repeat, and that may help explain…
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