Let’s Talk about …. an Artist

http://www.theguardian.com/artanddesign/2015/aug/25/pioneer-of-perversity-pierre-molinier-extreme-exposures

我要強調,我是好咸濕的。所以我看衞報或或多或少跟她時不時有裸女照有關。所以如果有女讀者想吸引我看你們的文章,你明解了。

今次都不例外,Pierrer Molinier,我真是完全不知道有這個藝術家存在。即使有很多藝術家的名我聽過,都不清楚他們是因什麼出名的。看the link 才知道Tracy Emin做衫出名的(???!!!?)。我切切實實就是一個偽文青。這個我好清楚。

這篇文其實都有點搞笑,並殘酷的告訴你藝術家這個字有多荒旦。

This small show at Richard Saltoun in London’s Fitzrovia is the first UK exhibition of Pierre Molinier’s work for over 20 years. Molinier, born in 1900, makes the spectator feel like a voyeur. But he wants us to witness what he himself wanted to see: these are episodes from a life in private, revealed to the world. His photographs have the repetitiveness of obsession and pornography. The same old things, again and again, the same focus, the same rooms, the same furniture and paraphernalia.

這段的意思是那位人兄由開始拍照,都用同一個境(自己屋企),同一個角度(鎖匙穴偷窺角度),同一樣的家俬擺設,重覆又重覆的主題(3P,口交,肛交,ecetera ecetera )。用這段去推敲,AV廠每天都在製造藝術品,加藤鷹的手指應製程雕塑放在Museum of Modern Art。

Molinier’s elaborate fantasy life and gender play became his art. His partners, for the most part, were his own photomontaged and duplicated selves. In his photographs he became both other and himself, man and woman, penetrator and penetrated. At the core of his art, his transvestism signalled the merging of sexes, a multiplication of organs and limbs and selves. He became the object of his own desire, a self that was other.

He photographed himself wearing a dildo, having sex with not one, but two montaged doubles over a stool. He made double and triple self-portraits – meeting his younger selves in the developing tray – and images of himself as a kind of devil-shaman, backlit, with both breasts and erection.

呢段就更扺死,是說他的另一類作品,就是玩雌雄同體自己插自己,自己含自己,用PHOTOMONTAGE模擬另一個同自己一樣的男人在同自己做愛。那當然比王晶的玉女真經李麗珍大戰雌雄同體的舒淇更前衞,但會否就因此變成藝術品呢? 玉女心經可否派人走出來說我的電影其實是向Pierrer Moliner 的致敬作品而出戰威尼斯影展/Sundance,凱旋而歸?

我突然又想起葉蘊儀,當她說自己是藝術家,而有人出來說"你拍寫真乍,藝術家…."。喎….原來拍AV都可以是藝術品,如上所述,那拍更唯美的寫真為甚麼不可以是藝術家呢? 還是你認為藝術品要KITSCH才算是藝術品,唔核突就冇資格? 占士哥在藝術上更勝占士甸? 還是….我們是時候承認,藝術本無定義,或至少跟朗誦一樣,我們不懂怎樣去為他們評價。是否是時候告訴自己或世人,我多高傲自大,也只是目不識丁。如HERZOG的主角MOSES一樣,坐在破屋,望著陽光,跟自己似懂非懂的人類講聲,我不懂….

對昨日我講100毛本書好廢講聲唔好意思. 著實我未看過你任何一期,只以你ON9的封面去判斷,是我的錯,或許你是一本藝術品。我又想起JAN的那句,只要你覺得自己是藝術家,射個精都是行為藝術。

我不懂…..

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